1. [Projects]
2. |viva-voce|
3. |she-appeared-excessively-“real”|
4. |samples of irrational frames|
5. |TechnoVision Deck|
6. |while the future unfolds|
7. |shapes of regret|
8. |who shot JR?|
9. |virtual tour|
10. |only humans search for meaning|
11. |@le_tempsperdu|
12. |complexul saloanelor|
13. [Gifs]
14. |in absentia|
15. |remnant|
16. |minoritarian choreography|
17. |balance|
18. |cluster|
19. |the-Less series|
20. |all the meaningless embraces|
21. |3 female portraits|
22. |i'm a victim of this painting|
23. |echokinesis|
24. |movement of common shapes|
25. |insomnia|
26. |basic knowledge|
27. |karaoke piece|
28. |without|
29. |latex series|
30. [Stills]
31. |the anatomy of Internet regulation|
32. |ECCE|
33. |self-sufficient|
34. {Music Videos}

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Blending 3D with found deepfake footage, the project points to the rising of AI generated content targeting female/femme bodies. Using porn sites as archives that need to be revisited and questioned, the project she-appeared-excessively-“real” stitches the already made pornographic footage in narrations that bring forth and further questions about consent and gender representation in the more and more impacted by artificial intelligence online space.

The narration of the first video links the new synthetic media constructs with Pandora’s myth, who has a similar manufactured origin. The replicants also seem to have the same purpose, being designed as tools of revenge.

Click here for the online display